We’re all (hello, Sussex), now, everywhere here (on the Internet), aren’t we? Undoubtedly, scholars made lots of words before now, but they couldn’t show it all to you like a purge; they couldn’t cart it around, showing it again and again;  it didn’t return, quite like this, to either bite you in the ass, or say it better than one ever could, even though of course, oddly, it was oneself who has said it once before.

By moving these words to video and text, never to be on paper, not to be linear, and also always available on the Internet, I establish, in form, one answer to how the affordances of both the digital and the room, the staying and the going, affect our feminist and queer possibilities. For, of course, I’ve flown to England; there’s something we want, or prefer, or need from the body, even as she also sits, and writes, and speaks, and shares so abundantly at home in the digital. Thus, I return and loop back to the leaving and the staying, the making, taking, foresaking and staking. Situated and floating, flying even, I will answer your three questions in long form (but only in person), but here first in short:

  1. How does imagining queer & feminist lives and futures link with social media and other digital media practices? … Badly
  2. How can we understand the interconnections between radical art practices and cyberfeminisms? We must leave and ever more deeply embed.
  3. What is the role of science and technology more widely in the ways social practices and cultural identities are shaping today?

We must engage in Techno feminism, a collaborative, goal-oriented, placed, critical self-expression online, and also in Presumptive feminism, one that always assumes that feminism counts and that feminists speak. (these are from a longer list of online feminisms from my article on the Online Feminist Cyber-closet).

I suggest that we must strive to make a concerted effort to remember something quickly becoming lost: that is, to dare to think just past the digital, to engage ever so slightly beyond representation, and to struggle to look to and reoccupy our bodies and lived spaces. So: hello Sussex! Not to fear, I will be asking you to move online soon enough …

Yesterday, I had the privilege of attending some of THATCamp Feminisms West. I had to leave just before the much-deserved beer-part to pick up my son, and knew I was in good company when this sacrifice made sense as such, nothing more needing to be said. But in my afternoon there, I was privy to conversations and processes that remind me of why we need to meet and work as feminists about and in digital culture. I will indicate a few of those reasons here, and I’m also going to to do quickly and on my blog.

Now, why this quick “work” on a Saturday morning. First, I have to give an interview to a college student this morning, in an hour, about (my) queer family: another important digital feminist act. Secondly, I want to blog about this while it is still happening (day two is starting now), because it may allow a few people who might want to know about it to follow the twitter-feed, and thereby attend. Third, I acknowledge and mark the value of my colleagues’ work when I blog it, and I feel this is a particular kind of feminist mentoring that senior women in academia can and do provide online. There’s been some great posts about academic blogging in the past few days (brought to my attention my Adeline Koh on Facebook). All by women, iterating what we get here. I wrote a similar post last year.

In our unpanel, DH400, we had the rare opportunity to talk about DH beyond 101. I was particularly interested to meet the women behind #TransformDH who I’ve been following for awhile. Our conversation focused upon our various, precarious, disruptive, transformative, outsider/insider relationships to the academy: as grad students, as archivists, as activists. To me it is was less the DH, or even the digital, that made this conversation matter, but the feminist: because we shared values, the will and capacity to be critical as well as intellectual while being supportive and trying to distribute authority and voice around the room all the while working, quick. Mia Ridge asked us “What would a feminist Digging into Data project look like?” And Jacque Wernimont said: “It would probably be related to little ‘dh’ and the owning of ephemerality.” Yep.

In the other panel I attended, on feminist digital pedagogy, I brought people up to speed on the DOCC 2013. And then we talked productively and honestly about teaching. With undergrads, librarians, grad students, jr and snr profs in the room, (or as@miriamkp tweeted: A really nice mix of students, faculty, librarians, nonprofit professionals (with diverse interests) here at #tcfw) we were able to be vulnerable, uncertain, and also wicked smart. Anne Cong-Huyen and Viola Lasmana discussed power sharing, doing things in public, acquiring skills, risk-taking, modelling ownership of our content and controlling our online identities (for their students and themselves), as well as the perennial contradictions of anonymity, discipline, and grading in classes with hands-on, experimental components. One hour, so much said and done: together, in a room, and on twitter, and now here, doing all the things that these technologies afford to us as communities, and as individuals.

I write quickly on my blog on a Saturday morning because this kind of work makes me feel like an academic in a conversation with politicized others. I make this to mark that.

#tooFEW

March 15, 2013

There’s the good news, the bad news, and the good news again:

  • sistersaredoingitforourselves;

Join us!

Martha Wilson 5c flyer_opt

I’ve been asked to blog during the SCMS conference on their website. I think it may be closed to non-members, so here’s what I wrote there.

The memorial event last night for Alex Doty was unlike anything I’ve ever attended at SCMS (or any other conference for that matter). Lovingly arranged and choreographed by this year’s Queer Caucus officers (Jen Malkowski, Patty Ahn and Julia Himberg) and as equally lovingly attended by a great many friends, colleagues, and fans of Doty, the affair was at once a vibrant, communal celebration of a particular man and scholar as well as serving as a reminder of the role of intellectual community, in this case the SCMS Queer Caucus (of which Doty was a founding member). Let me start with the man, and end with the caucus, a provocation (or two), and an invitation.

There were six beautiful, careful presentations from the stage and a cocktail party after. In the first version of this post that just got eaten by my computer, I carefully detailed each one’s loving remarks and how they built the presence of a respected, treasured, seminal member of the SCMS community. From SCMS President, Chris Holmlund’s detailed tracing of the history of the Queer Caucus itself, exactingly drawn through a treasure trove of documents from the Society’s past (located by Michael Metzger), to Corey Creekmur’s evocation of Doty as “not a person but an event,” to Kara Keeling’s anecdote about reading Making Things Perfectly Queer as a grad student and learning there the “things I already knew but did not know why I knew these things,” or Taylor Cole Miller explaining how his teaching always accounts for a queering of popular culture, for all students and across creative exercises because of an approach he learned from Doty’s writing, or Sarah Sinwell’s reminder that so many in the room had used Doty’s quote about a “queer reading” not being “alternative, or wishful thinking, or reading into things too much.” The take away was both a brave, fun, dedicated intellectual, teacher and friend who had the courage to work with others to found a sub-field based upon how he lived in the world, and in the world of media, and also a tender community of people who know each other in a variety of ways: from conferences, caucuses, and lectures, to the many words we write and share over a career.

And listening to the care by which these colleagues drew this man and his work, and seeing the care by which the organizers had produced the event, I saw that part of what the Queer Caucus (and Alex Doty, and so many more of us) have produced is the place for love, or respect, and the personal, within professional contexts: and this has always been at the heart of our theoretical and political project as feminists (and I’d warrant many of the other Caucuses share this project). The Alexander Doty Queer Mentoring Program of the Caucus is one example of this practice, as is Doty’s writing and teaching. And yet, as scholars, we so rarely publicly express the fondness, and other feelings, we have for our colleagues: how their work moves us. I thought to myself, I bet Alex didn’t know this—that we all knew him in one way or another, and respected him, and understood (or wanted to understand) his part in our own history as intellectuals and activists—because we so rarely tell each other: I used you in a paper, or I taught you in a class, or your words saved me.

And then, I wondered, too, about those who didn’t know Alex, who weren’t at the memorial, and weren’t members of our Caucus, and didn’t read his books or attend his lectures … even once. Man did you miss something and someone! Sean Griffin said of Alex how he always managed to fashion both camaraderie and a diva moment, producing an “I’m fabulous and you are all going to come with me” sort of presence wherever he was at work. But if you didn’t track through SCMS seeing the faces I have come to know, again and again, given, as you might not be—queer—maybe you didn’t know this … So, I thought of the others Caucuses, and wondered if love and anger and pride was in their hearts and history, and if they might have an event like this someday, as sad as that may be.

And that leads me to my provocation, and my title, which points to the centers of centers and the margins of margins in the making of fields and communities, and sub-fields and their communities. Are we queers central to this field? Do you know us and our work? Do I know your work and caucus? Let’s try to go to another sub-field’s meeting or panel at this conference, and meet the Alex Doty we wouldn’t necessarily circulate around by way of affinity. And what’s more, let’s tell a colleague or friend that their ideas move us, so that we can mark our love for what Griffin called “the concept” (our work) as well as the person, and so that the person can know we cherish their concepts while we are together still.

And finally, an invitation in kind: tomorrow, Friday, March 8, I will be participating in an “Unauthorized Conversation” about HIV/AIDS and Media Studies, in the Book Exhibit from 11-1. With my friends, colleagues, and AIDS comrades in arms, Marty Fink and David Oscar Harvey, we will engage in a conversation about many queer things, including some of the questions I asked above: about the history and politics of sub-field production and maintenance given the growth of the larger field. You don’t have to be queer to know about AIDS, or to care about its place in Media Studies. We’d love to have you as part of the conversation.

NO MORE BUSINESS AS USUAL

Long Story Short, NYC

February 22, 2013

3_5_13_Long Story ShortNatalie’s film is an inspiring mix of digital storytelling and artistic vision. Hope to see New Yorkers there!

Visual AIDS: What will be the benefits of Queer Archive Activism? (Specifically I am hoping you can comment on the benefits for those who made video and film art in early response to HIV/AIDS, and those who are recontexualizing it now. And of course, generally what are the benefits.)

The benefits to our nostalgic return are threefold:

1)  it fosters our own public and interactive remembering, “healing” (although this is not something I am seeking, personally: I don’t really want to heal, I’d rather stay angry or at least contemplative), and interaction.

Read the rest of the second part of this two-part interview on Visual AIDS.

Follow

Get every new post delivered to your Inbox.

Join 215 other followers