AIDS Reruns: Becoming ‘Normal’?

August 18, 2014

Ted Kerr (formally of Visual AIDS) and I continue our conversation about recent AIDS media on the Indiewire blog, /Bent. In our discussion about The Normal Heart and other recent work, we bemoan the paucity of women as well as the feminist pro-sex politics that defined our early AIDS media activism.

I begin the article saying: “I too was reluctant to watch the Normal Heart, so our anticipated conversation about it also forced my hand. I was worried that the mainstreamification of my own history would be upsetting, and I was right. In 1986, I arrived in NYC, fresh-faced and political (I was a feminist and also active in the nascent gay/lesbian rights movements), to attend grad school in Cinema Studies at NYU. I volunteered at (Kramer’s) GMHC soon thereafter, and found myself in 1987 working in the fledgling Audio-Visual Department, which at that time was the incredible Jean Carlomusto who was single-handedly producing a cable access show called “The Living With AIDS Show.”[8] With few real skills of my own, but a lot of chutzpah and real conviction, I suggested to Jean that I produce a segment for the show about women and AIDS. Feminist, anti-racist and anti-poverty activists in NY were just mobilizing around a shared raising awareness about the certain affliction that women (and children) would face in large numbers if the government, public health, non-profits, the media, and activists did not think logically (and politically) and realize, and act, on the imminent threat that HIV posed to communities outside the gay white men who had first organized GMHC (and hemophiliacs, Haitians and heroin addicts, the other known “risk groups” at that time).”

Juanita Mohammed in “WAVE: Self-Portraits” (The Women’s AIDS Video Enterprise, 1990)

Hope you’ll read it through!

 

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