December 19, 2013
The final for my Pitzer node of FemTechNet’s DOCC 2013 was a craftmaking/gift exchange project where my 12 students had to make something that expressed a feminist interpretation or use of technology by making something to hold and cherish and then give away.
Objectives (developed by Anca Birzescu and Radhika Gajjala):
- Experiment with hands-on, applied skills outside of traditional academic writing
- Make feminist theoretical terms, ideas, and arguments approachable, accessible, and/or available in other formats, vernaculars, and to new audiences
- Connect theories and practices of feminism along key themes
- Materially and then also virtually present your ideas, interpretations, critiques to others involved in the DOCC2013
- Understand “value” outside present day post-industrial capitalistic frameworks
- Create community through gift giving
My students’ beautiful and smart objects are now open for your bids: you simply need to email the maker(s) with a description of the object’s value. The highest bid wins the object!
- The Wire Queen Emerging Sexualities is a handmade laptop that gorges upon body parts and disgorges chaotic disruptions of freedom and pleasure, like any good cyberfeminist should!
- A Heel Planter transforms “an effeminate machine, which is predominantly used by women to enhance their femininity into a planter and therefore a technology because it actively creates and grows life.”
- Gendered Toys—real labor involved to change—but well worth the effort…
- An Hourglass Nebula Compost Box with Compostable Jewelry countering technologies of death with “technologies of fertility, or technologies of life” inspired by the life and work of Beatriz Da Costa
- A Humanoid Figure that transforms old electronics “to symbolize the ways which we are constructed by technology, and how ultimately the archive of what we leave behind of our lives is based in technological ways of capturing meaning.”
- Labor Under the Net of Capitalism, an art project capturing paper pigeons in a delicate net that “shows that our labor underneath the capitalist white supremacist system is distorted into a form of behavior that does not benefit us” (video pending)
- A Digital Corruption and Compression Reflection that “transforms code to a physical medium, then makes that medium inaccessible” as a method to protect against the simplification and shaming of gender online
- A Plae Time Cloth that intersects language, computers, and textiles through a traditional Thai craft that sometimes serves as a baby cradle, but in this rendition stays hard and soft, old and new for cyberfeminist use
Let the use-value begin!
We’re all (hello, Sussex), now, everywhere here (on the Internet), aren’t we? Undoubtedly, scholars made lots of words before now, but they couldn’t show it all to you like a purge; they couldn’t cart it around, showing it again and again; it didn’t return, quite like this, to either bite you in the ass, or say it better than one ever could, even though of course, oddly, it was oneself who has said it once before.
By moving these words to video and text, never to be on paper, not to be linear, and also always available on the Internet, I establish, in form, one answer to how the affordances of both the digital and the room, the staying and the going, affect our feminist and queer possibilities. For, of course, I’ve flown to England; there’s something we want, or prefer, or need from the body, even as she also sits, and writes, and speaks, and shares so abundantly at home in the digital. Thus, I return and loop back to the leaving and the staying, the making, taking, foresaking and staking. Situated and floating, flying even, I will answer your three questions in long form (but only in person), but here first in short:
- How does imagining queer & feminist lives and futures link with social media and other digital media practices? … Badly
- How can we understand the interconnections between radical art practices and cyberfeminisms? We must leave and ever more deeply embed.
- What is the role of science and technology more widely in the ways social practices and cultural identities are shaping today?
We must engage in Techno feminism, a collaborative, goal-oriented, placed, critical self-expression online, and also in Presumptive feminism, one that always assumes that feminism counts and that feminists speak. (these are from a longer list of online feminisms from my article on the Online Feminist Cyber-closet).
I suggest that we must strive to make a concerted effort to remember something quickly becoming lost: that is, to dare to think just past the digital, to engage ever so slightly beyond representation, and to struggle to look to and reoccupy our bodies and lived spaces. So: hello Sussex! Not to fear, I will be asking you to move online soon enough …
I begin my talk with this video about repurposing social media spaces, such as this one, for the specific purposes of multi-disciplinary and multi-modal teaching and learning, as well as for its scholarship by showing this video, so representing, in form, my feminist commitment to engage in self-reflexive, situated critiques of the Internet that model here the kind of culture I hope it to be, a place that enacts collaboration, connections between the classroom and the world, intentional and ethical links between and within real and virtual experiences and private and public knowledge, and a commitment to finding, teaching, and using the forms of literacy best suited for these places and practices.
I self-reflexively argue above, here, and in the talk: engaged, situated pedagogy and research in the digital humanities demand new writing and speaking forms, as well as the presentational and publishing platforms to hold them.
March 15, 2013
January 30, 2013
January 29, 2013
August 7, 2012
“Next year, over a hundred feminist scholars are slated to teach a new kind of online course—the first “MDCLE” or “massively distributed collaborative learning experiment”—tentatively titled “Feminist Dialogues on Technology.” Drawing on the model of the “MOOC,” or the massively open online course, like the artificial intelligence and human-computer interaction courses at Stanford that have enrolled tens of thousands of students, this venture is also aimed at a very large audience, although taught and thought through a feminist architecture and pedagogy.”
October 19, 2011
My talk at Concordia stirred a lot of feelings in the community: an intended effect of my “mixed reality experience” produced through the experiences of real bodies, watching digital materials, in real rooms. I didn’t expect the anger, however. Here’s a review by Jacob Roberts, from The Link, that gets to some of those complex responses.
I’ve returned from SCMS and Louisiana (having seen two alligators in the wild on a hike and eaten crawfish and shrimp in innumerable yummy formats) and would like to briefly mention a few of my more memorable media encounters: like the alligator, anxiety-defined all.
Tara McPherson organized New Media Futures: The Digital + the Academy, the workshop where she and I spoke with Nick Mirzoeff, Joan Saab, and Wendy Chun about how digital technologies are altering our new media labor (research and teaching), writing, and publishing practices. While the fact that the projector did not work, definitively disenabling our techie show ‘n tell (has this even not happened at a conference where I am speaking about the Internet?), and thereby providing some felt anxiety for each of the able speakers who could not readily rely on machines to illustrate our points as planned, I’m more interested in highlighting some of Wendy’s brilliant observations about anxiety and new media (studies). She suggested that fears about the future of new media (and its theories and applications) are definitive of the findings and methods of the field, as well as anticipating and self-defining the very forms that new media will take, leading to more uneasiness, more anxious findings, and more twittery tools needed to soothe our ever more shattered nerves and brains. For instance, an anxiety about loss leads to tools that save and thereby produce easily erased, unfindable, updated, quickly unusable, outmoded, unstable records that so engulf us that we become too overwhelmed to remember or (re)visit our saved stuff, thus already producing the loss we anxiously anticipated and the need to build even newer tools and theories to remedy all the more future loss we do and must anticipate.
Now, one might imagine that old-school (dying?) feminist (academic) blogging (and “self-promotion”), the topic of another workshop I attended (highlighting the powerful blogging and other online experiences of Miranda Banks, Ryan Bowles, Alisa Perren, Anne Petersen, Julie Russo, Patty Ahn, and Inna Arzumanova), might be a remedy to our nervous media condition in that blogs (like this one) might allow the lady-theorist (like this one) to calmly, and perhaps communally (or at least in-community) name her own terms, moods, tools, and forms; boy did Wendy Chun get this one right! These amazing, ambitious, bright, primarily young academic women (most were in grad school or ABD, one had just gotten tenure), as well as the mostly young feminists in the room, discussed their blogging, tweeting, and online personae (and thereby use of new media tools and the futures anticipated, hoped for, and associated) as organized by what … Anxiety of course (about being hired, promoted, and otherwise evaluated) and even fear (of hostile readers and punitive potential committees).
Their anxiety made me feel, well, anxious (to feel so differently from everyone else in the room, my comrades, and then try to articulate it cogently) but mostly sad. Then mad, and now compelled to speak and explain. My feminist (academic) blogging might be understood or termed as “self-promotion,” or even “self-branding” (a term tossed about, uneasily, at the session), just look below: I pitch my films and books. Yet I truly think of this very same practice (without fear) as a public engagement in thinking out loud, honing a voice, self-naming, community-building, and stake-holding.
This media platform, like all others, is pretty neutral (yes I know, ownership, design, protocols have meaning, but this is not my point here). Rather, we assign to platforms like blogging (or are assigned) feelings and anticipated futures, but we feminists need not accept the anxiety that holds us in check, that makes us self-doubt, that assures us that speaking about our own good work or new ideas is somehow too prideful rather than merely productive. Feminism gives us all the tools we need to understand that economic conditions like a depression and an academy that sells advanced degrees to pay for itself, social conditions like patriarchy and racism and homophobia, and psychological conditions like anxiety, should not be suffered as a personal, debilitating and self-censoring problem, but should be understood and fought as political issues best addressed by being named, refused, refined, and remade within the power of movements and with the tools of technology. Sure, all these amazing young women should be anxious about getting a job, but they shouldn’t be anxious about blogging that fact, or blaming whoever they want to blame, or naming the forces in their way, and then doing, showing, and sharing their great work, from which we can all learn and build. I choose anger over anxiety any day (including in your comments, or as I like to think of them my no-mments. We fruitfully discussed in the workshop the value of the under-sung, underdone labor of commenting to better build dialogue, community, and confidence in the anxious world of feminist academic blogging).
Also, a shout out to a great panel I went to on Interactivity. Marina Hassapopoulou spoke about the legacy of expanded cinema and video installation to help us historicize new media, Aubrey Anable about the lie that interactivity is a forum for democratic participation in the new urban planning of New Orleans, and Vinicius Navarro about the new media index as an emptiness that points to a referent in-between.
March 7, 2011
Toby Miller, Chair of Media and Cultural Studies at UC Riverside, chatted with me over tofu for his podcast, CULTURALSTUDIES. Since last summer, Toby has recorded meandering, lively and detailed conversations with scholars, artists, and activists and he releases them in unedited real time on his podcast to 1000 or so subscribers, all probably three men and their dog in Sweden, according to Toby.
Sitting over lunch with just his shiny laptop open doing the quiet work of recording us—slurps, clinks, and all—I was reminded about the beauty of these kinds of DIY, “hand-made” practices (something we discuss in relation to my video-book’s fears about YouTube and the corporatization of “DIY”) enabled by technology. We discuss this, revolution, AIDS video activism and more. Hope you’ll take a listen.